Film
The Resistance Banker
In the occupied Netherlands during World War II, banker Walraven van Hall (Barry Atsma) is asked to use his financial contacts to help the Dutch resistance. He doesn’t have to think about it for long. With his brother Gijs van Hall (Jacob Derwig), he comes up with a risky plan to take out huge loans and use the money to finance the resistance.
When this proves not enough, the brothers set about committing the biggest banking fraud in Dutch history, taking tens of millions of guilders out of the Dutch Central Bank – right under the noses of the Nazis.
But the bigger the operation gets, the more people it involves. And every day brings a bigger risk of someone making that one mistake that could put an end to the whole business – and the lives of the resistance bankers.
Watch the trailer here.
The family is highly versatile, ranging from a delicate "Hairline" to a massive "Ultra" weight. This allows designers to maintain a consistent brand voice across vastly different scales. Influence and Use
The family is built on a balance of organic drawings and rigorous typographic cuts, particularly at the apexes of characters like 'V' or 'W' .
, a cycling accessories brand, features Everett and Everett Mono throughout its visual identity, designed by the studio All Purpose. The clean, modern aesthetic of the typeface reinforces the brand’s focus on performance and design excellence.
Since its release through the Typewelder (TWK) foundry, Everett has become a favorite for high-end publishers and agencies, used by firms like Order NYC , NODE Berlin Oslo , and Lars Müller Publishers . The Designer: Nolan Paparelli
Since its release, TWK Everett has been adopted by a diverse range of clients and creative studios. These real-world applications demonstrate the typeface’s remarkable versatility.
The workhorses of the family. Optimally spaced and weighted for long-form body copy, user interfaces, and editorial layouts.
Other contemporary grotesques that share design space with Everett include (Klim Type Foundry) and Reckless Neue (Displaay Type Foundry).
Developed initially during Paparelli’s studies under Ian Party, Everett was born out of a desire to create a grotesque font that offered more character and "interest" than the oversaturated field of standard Swiss neo-grotesques. It is characterized by its high-contrast strokes and distinctive singular details that make it stand out in a digital-first world.
The family is highly versatile, ranging from a delicate "Hairline" to a massive "Ultra" weight. This allows designers to maintain a consistent brand voice across vastly different scales. Influence and Use
The family is built on a balance of organic drawings and rigorous typographic cuts, particularly at the apexes of characters like 'V' or 'W' .
, a cycling accessories brand, features Everett and Everett Mono throughout its visual identity, designed by the studio All Purpose. The clean, modern aesthetic of the typeface reinforces the brand’s focus on performance and design excellence. TWK Everett Font Family
Since its release through the Typewelder (TWK) foundry, Everett has become a favorite for high-end publishers and agencies, used by firms like Order NYC , NODE Berlin Oslo , and Lars Müller Publishers . The Designer: Nolan Paparelli
Since its release, TWK Everett has been adopted by a diverse range of clients and creative studios. These real-world applications demonstrate the typeface’s remarkable versatility. The family is highly versatile, ranging from a
The workhorses of the family. Optimally spaced and weighted for long-form body copy, user interfaces, and editorial layouts.
Other contemporary grotesques that share design space with Everett include (Klim Type Foundry) and Reckless Neue (Displaay Type Foundry). , a cycling accessories brand, features Everett and
Developed initially during Paparelli’s studies under Ian Party, Everett was born out of a desire to create a grotesque font that offered more character and "interest" than the oversaturated field of standard Swiss neo-grotesques. It is characterized by its high-contrast strokes and distinctive singular details that make it stand out in a digital-first world.
